Graphic Design Visionaries is a new book by Caroline Roberts that highlights 75 creatives whose forward-thinking, original ideas have shaped the visual world. StampNews.com got info that this book is also dedicated the 85-year-old British stamp designer David Gentleman, who revolutionized the face of British stamps.
David Gentleman literally changed the face of British stamps. With more than 103 of his designs issued so far, and many more that were never used, he rightly deserves the accolade of "most prolific and acclaimed stamp designer in Britain".
His first stamps were issued in 1962. However, it was in 1965, as part of an experimental project commissioned by then ‒ Postmaster General Tony Benn, that Gentleman first proposed representing the Queen's head with a simple cameo. This and other suggestions were included in what became known as the Gentleman Album, a work that outlined new themes and a new format for an exciting collection of commemorative stamps and left a lasting legacy for British stamp design.
Gentleman's prolific career is not defined entirely by his stamp designs. He has also designed numerous book covers, including the extensive New Penguin Shakespeare series; posters, including several series for the National Trust; and identities, such as his British Steel logotype, which was in use for 30 years. His 330-foot mural at Charing Cross Underground Station in London is seen by millions of commuters every year.
Gentleman's work has always had an unashamedly popular appeal ‒ his self-penned reportage books, including David Gentleman's Britain, David Gentleman's Italy, and David Gentleman's India, were all best-sellers and combined his love of travel with his expressive watercolor illustrations. Closer to home, his 2012 book, London, You're Beautiful, demonstrates his ongoing fascination with the capital with a series of drawings created over the span of a year.
His posters and placards for the Stop the War Coalition, starting in 2003, had a much greater impact, and they played an important and very visible part in its ongoing campaign against the Iraq war. His "Bliar" poster, in particular, was a great example for a new generation of graphic designers of the power of graphic design to both express and galvanize public opinion.